“Director Kathryn Hamilton uses The Maids as a springboard into the most unstylish thing imaginable: the real world. The refreshing result (half-documentary, half-Genet) is chaotic, but it’s also productive and genuinely subversive.”
"The piece [They Are Gone…] is incredibly sly and seductive in the way it flows through thresholds between realities, identities and generic divides. It is both a non-fiction lecture and a theatrical spectacle, simultaneously embodying and commenting on the nature of the two forms. It’s nonchalantly educational, deeply entertaining, and, in part because of the constant acknowledgement of its own artifice, highly authentic."
Full press info coming soon...